Description
In her debut album, Esperanza Fernández sets loose her vivid Flamenco accomapnied by Moraíto's guitar in the La Malena bulerías. With equal disposition, she sings the seguiriya De noche en mi Triana by the cantaor José el de la Tomasa. There also is part of the concert that Guillermo McGill wrote for her with la Nana de la esperanza and the alegrías Jazmín de media noche by Miguel Ángel Cortés. The soleá En compás de su sangre proves yet again that Esperanza Fernández can sing to the piano, which in this case is courtesy of Dorantes.