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This meeting with flamenco in Seville will be celebrated from the 3d to the 30th of september and brings in 2012 a lot of news. Among the big news at logistic level is emphasized on the recovery of the Alcazar and the Cartuja monastery, and the incorporation of the auditorium FIBES for the biennial. The siting with capacity for more than 3.000 persons and The Spanish National ballet, with the show "Medea" of Manolo Sanlucar.
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Israel Galván, the Ferran Adrià of flamenco, presents his show "La Curva" with Sylvie Courvoisier, at the piano, the sing of Inés Bacán and 'Bobote'. Israel Galvan (Seville 1973) is now the most surprising renovator of the contemporary flamenco dance. He is like the Ferran Adrià of flamenco dance because he has been able to discover a grammar based on the experimentation of the surprise, and an incredible fragility that hides a real dance study: “I am looking for mi own liberty, I take on the risk; I know it, but I feel excited to walk close to the precipice.”
- What does La Curva means? - It means to pay tribute to a great creator for a lot of people, unknown. The dancer from Valladolid, Vicente Escudero, lived in Paris in the Cubism time, with all the famous painters and strange people of the 20’s. Vicente Escudero had an exceptional personality. In a mythic theatre called “La Courbe” he realized several dance shows, “zapateados”, chairs pyramids and even a kind of jazz show in which Josephine Baker would have succeed.
- Do you feel close to Vicente Escudero legacy? - I feel close to his search as artist. For a lot of people he is a stranger but he is one of the creators of flamenco. It had to be a very exceptional person, with a big creativity. He was the first one who dares to dance siguiriya.
- You are taking a very similar way… How did you manage to create a style so clear and different as dancer? - It is a very long process. I don’t think there is an inflection point. I realized that my body was talking to me and let me know that dancing was the best expression of myself. I don’t express myself talking, but with my body. |
The flamenco is more than an art. It is the essential expression of an ancestral culture.Farruquito is its light, its sound, its roots and its pureness. With a simple, perfect and passional style, the show breathes the best of flamenco fusion...
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"Ole, viva Cadiz", it is the first “jaleo” listened in the background of a deaf guitar.
Strums and his voice for the land like benediction:" Ay with the caray, caray, caray, these are the things that happen in Cai ".
Universal Music let us savouring just 48 seconds of “Qué disparate”, a step forward of what will be the next work of the flamenco singer Michael Poveda that with the title Artesano (craftsman) returns to the Flamenco courses, like gives us the recording, 48 seconds of art that let the amateur with the honey on the lips.
Return to flamenco with Cadiz very present.
And not only for the rhythmic bulerías but for the artists' list with which Poveda surrounds himself in this work that goes out to the light next 27 of March.
The masters Paco de Lucía, Manolo Sanlúcar, Diego del Morao, Manuel Parrilla, Jose Quevedo Bolita, Isidro Muñoz and Jesus Guerrero (all from the province of Cadiz) and the flamenco singer Rancapino, who takes part in Qué disparate, they parade for topics of the disc that the Catalan singer will present on the next 21st of July in the bullring of Jerez, as it has been published in his web page. Other stops of the tour of the craftsman's presentation will be Malaga, on 24th of March, Barcelona, on 29th of March, Madrid, on 8th of May and Valdepeñas (Ciudad Real) on 2d of June .
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The biggest shop window of the flamenco fashion and of the andalusian's talent opens its fan with force and art in its 18th edition to blow on the world the last trends of the only one traditional outfit in the world able to be developped and reinvented each year.
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