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One of the best and firm bet of the festival was the support and the diffusion given to the new figures. After years, "Larachi Flamenca"keeps showing the most representative in dance, singing and the world's most famous flamenco touch. |
Next March 30. we will celebrate, at the Alameda Theater in Sevilla, an act of solidarity with the Japanese people after the disaster suffered with the devastating seism and the tsunami, under the title "Flamencos de Sevilla por Japon", with the presence of the singer Esperanza Fernandez and the dancer Adela Campallo. |
The danceur Eva la Yerbabuena will be the protagonist of the XI edition of the Lorca and Grenada program in the Generalife gardens. "Federico according to Lorca" show, a set up that will end up with the Grenada Dance and Music International festival on the next 12 of july. This set up will run from the the 20 of july until the 28 of agust. |
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In this show, the memories, real and fictitious ones, are again the "leit motiv"of a play in which the symbolisim of a potter's wheel focus a scene, where Yerbabuena shows up ready to mold those sleepy conciences starting from her reputation of"melancolic woman". The last day of the "muestra jerezana"of flamenco and spanish dance is completed with the session , from noon, of the workshop, "Understand the flamenco".Learn to distinguish the "palos", taught by Faustino Núñez in the Andaluz Center of Flamenco (CAF); and with a new exhibition from 7pm in the Sala Paúl, of the workshop of choreography of the valencian "maestro"Javier Latorre. In "When I was...", Eva Yerbabuena gets back that melancolic and nostalgic air that characterizes her, under the influence of the victims's relatives loss, in the Spanish Civil War, to think again about the absences, the movement and the search. "I am a person always searching through movement, I can talk more with movement than with words. "What happened?, why this happened?, What would have happened if everthing would have been different?", thinks Yerbabuena in the short sypnosis of a play that locks up, as in other creations, more questions than answers. For this work, the Granadine dancer and choreographer has come back with her habitual team, with the guitarist Paco Jarana. From his notes start the score of the show, with the scenic management of Juan Ruesga. In "the Alfarero worshop", one of the most important scenes of this production, and with the mud as guide of the plot, that' s where the director admits that Eva "spreads all her mystery", in a conceived play,he explains, "like a circle structure, where the dancer and the lump of mud spinning form an important visual parallelism". |
