Study of the cajon as an alternative and complement of drums because of the similarity of its sound with the bass drum and the drum.All the technique, basic patterns and variants accompanied by music and other percussions. Themes will be completed applying all the subjects studied. There are many video and audio options available.
Dany Moreno propouse the cajon as an alternative and complement of a drum kit, dose not want the cajon to be a substitute but an alternative for the performances in small venues where using the drums becomes a problem of room. Besides we can take advantage of the similar low-high sound that shares the cajon's with the drum and the bass drum.
The method consists in a DVD + a book and it´s structured in three parts:
1 .- Cajon Technique and exercises
2 .- Study of the patterns and variations of styles from Bolero, Cha Cha Cha, Songo, Afro, Guaguanco, Merengue, Reggae, Samba, Reggaeton.
3 .- Musical themes mixing all patterns studied
In each part there are multiple video and audio options, showing in detail all percussion instruments used and the choice of audio depending on the instrument you want to follow, or the combination of them all.
DVD/Book Contents:
TECHNICAL EXERCISES
This series of technical exercises will allow the pupil making his hands independent of each other. Besides, in the movements we will begin using the HIT-HAT with the left foot.
KINDS OF STROKES
Grave strokes with the right hand
Grave strokes with the left hand
Acute strokes with the right hand
Acute strokes with the left hand
PROGRESSIONS
Grave strokes with the right hand
Acute strokes with the left hand
Acute strokes with the right hand
Acute strokes with the left hand
Grave strokes with alternate hands
Acute strokes with alternate hands
SIMULTANEOUS STROKES
TRILLS OF A NOTE
Trills of a right note
Trills of a left note
TRILLS OF TWO NOTES
Trills of two notes. Legatos right hand
Trills of two notes . Legatos left hand
Trills of two notes . Staccatos right hand
Trills of two notes . Staccatos left hand
MOVEMENTS
Grave strokes with the right. Hit-hat playing crotchets
Grave strokes with the right. Hit-hat playing backbeat quavers
Grave strokes with the right. Hit-hat playing quavers
Grave strokes with the left. Hit-hat playing crotchets
Grave strokes with the left. Hit-hat playing quavers backbeat
Grave strokes with the left. Hit-hat playing quavers
Acute strokes with the right. Hit-hat playing crotchets
Acute strokes with the right. Hit-hat playing backbeat quavers
Acute strokes with the right. Hit-hat playing quavers
Acute strokes with the left. Hit-hat playing crotchets
Acute strokes with the left. Hit-hat playing backbeat quavers
Acute strokes with the left. Hit-hat playing quavers
CONSTANT DEVELOPMENT IN SEMIQUAVERS
Continued development in semiquavers, starting with the right hand
Continued development in semiquavers, starting with the left hand
Bolero, Cha Cha Cha, Songo, Afro, Guaguanco, Merengue, Reggae, Samba, Reggaeton for each of these styles is studied in detail:
- Basic pattern, only cajon, and adding the hit-hat with the left foot.
- Basic patter + HIT-HAT, and adding the tambourine
- Pattern variant with all precussion elements
THEMES
Hasta San Cristóbal (6/8 Afrocubano / Samba / Guaguancó)
1ª part based on 6/8 Afrocubano style
2ª part based on Samba style
3ª part based on Guaguancó style
Pá Violeta (Cha-cha-cha / Bolero / Songo)
1ª part based on Cha-cha-cha style
2ª part based on Bolero style, simulating the maracas sound on the lateral wood of the cajon.
3ª part based on Songo style
Languages:Español, English, Français, German, Japanese. Italiano
Systems: PAL and NTSC.
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