"Cositas Buenas”, a record that marks the new path of contemporary flamenco guitar as we know it today. It can only be said that the eight pieces included in this album are the sources that built the current flamenco guitar. By analyzing the themes of this Paco de Lucía album, we realize that he has been the guitarist who has contributed the most to flamenco. Everything that today may sound modern, has already been played by Paco de Lucía.
The eight pieces of this sublime record creation represent a before and after for the flamenco guitar, reaching unimaginable levels of composition and performance never seen before. Consequently, we find one of the best flamenco concert guitar records, a historic album.
The eight transcripts of "Cositas buenas” are made for guitarists, in some pieces, there is also the second guitar voice, cante, and bass.
Transcriptions are done in note and tablature with fingerings for both hands and dynamics.
Patio Custodio (Bulería
- transcriptions for 2 guitars and cante
Cositas Buenas (Tangos)
- transcriptions for 2 guitars and cante
Antonia (Bulería por Soleá)
- transcriptions for guitar and cante
El Dengue (Rumba)
- transcriptions for 2 guitars
Volar (Bulería)
- transcripcions for 3 guitars and cante
El Tesorillo (Tientos)
- transcriptions for 2 guitars and cante
Que Venga el Alba (Bulería)
- transcriptions for 2 guitars and cante
Casa Bernardo (Rumba)
- transcriptions for 2 guitars and Bass
A4, 288 pages
Transcription by David Leiva
Languages: Spanish and English
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